Guitarist Jonathan Kreisberg has been steadily building his name as one of the most compelling composer/performers in Jazz. Combining timeless melodicism with forward thinking lines and textures, His style and approach has created a strong following of fans around the world. He frequently tours worldwide and records with his own groups as well artists such as Dr. Lonnie Smith, who says of Kreisberg “He is a passionate musician with great vision, and he is constantly in fiery pursuit of innovation.” Born in New York City, guitarist and composer Jonathan Kreisberg has fond memories of a childhood steeped in music. “I was lucky to grow up in a household that had a great and wide-ranging record collection,” he recalls, “including Coltrane’s My Favorite Things, John Williams playing the ‘Concierto de Aranjuez’ and Cream’s Disraeli Gears.” Jonathan started playing guitar at the age of ten after moving to Miami with his family. At 16 he was admitted to the New World School of the Arts, where his jazz studies took center stage. Intensely dedicated to the instrument, he was featured in Guitar Player and DownBeat while still in his teens. He won a scholarship to the University of Miami, where he held the guitar chair in the acclaimed Concert Jazz Band, touring Brazil and performing with Joe Henderson, Michael Brecker, and Red Rodney. Upon graduation, Jonathan began playing straight ahead jazz gigs as well as a myriad of other projects. He performed 20th century works with the New World Symphony under Michael Tilson Thomas. He also recorded a C.D. and performed extensively with the progressive rock group Third Wish. He also formed the first incarnation of the Jonathan Kreisberg Trio. Based in Miami, this electric based Trio released a C.D. and completed several U.S. East Coast tours, which included opening slots for George Benson and Steve Morse. He also began giving clinics at music schools and universities. While still in his early 20’s, he returned to his birthplace in NYC with his focus on cutting edge acoustic jazz. “My Miami Trio was about coming up with new textures and being communicative while still playing intense musically. When I moved to New York I entered a more introspective phase, really getting deeper into melodies and harmonies.” This also coincided with a renewed interest in the jazz tradition. “I found that the deeper I got into the tradition the more possibilities I became aware of for the future.” Since returning to New York City, Jonathan has worked in the bands of many jazz greats including Dr. Lonnie Smith, Lee Konitz, Joe Locke, Stefano Dibatista, Ari Hoenig, Joel Frahm, Don Friedman, Greg Tardy, Donald Edwards, Jane Monheit, and Yosvany Terry. He has also led groups of various instrumentations featuring artists such as Bill Stewart, Larry Grenadier, and Scott Wendholt. Jonathan has now recorded eight CDs as a leader, including ONE, his recent all solo guitar cd, and WAVE UPON WAVE, his latest JKQ offering. On the latter he brings along alto saxophone genius Will Vinson, the incredible pianist Kevin Hays, and the young rhythm section team of Rick Rosato and Colin Stranahan and creates modern jazz that combines a respect for the tradition with instrumental virtuosity, modern soundscapes and influences from every corner of the world (and beyond). Although currently based in New York City, Jonathan can be seen on tour worldwide. Entering the major Jazz Festival circuit with their electrifying show at Jazz Baltica (the combined video footage is now at 300,000 YouTube hits and counting), JKQ has subsequently performed many of the major European and American festivals. When not on tour Jonathan can be found at his steady Wednesday trio hits at Bar Next Door in NYC, as well as at the Jazz Standard and Smalls Jazz Club. He also teaches each semester in Europe at the Jazz Department of Prince Claus Conservatoire, part of Hanze University of Applied Sciences. Tickets 20euro on eventbrite
Gilad Hekselman has been developing a reputation as one of the most promising guitarists in New York since his arrival in 2004. After only a few years this native Israeli has shared the stage with some of the greatest artists in the New York City jazz scene including Chris Potter, Eric Harland, Mark Turner, Anat Cohen, Ari Hoenig, Esperanza Spalding, Christian McBride, Jeff Ballard, Ben Wendel, Gretchen Parlato, Avishai Cohen, Jeff ‘Tain’ Watts, Tigran Hamasyan, Aaron Parks, Becca Stevens, John Scofield, Terri Lyne Carrington, Danilo Perez & Peter Bernstein among many others. Ask For Chaos, Gilad’s next album, is scheduled to be released on Sep 7th, 2018 on his new label, Hexophonic Music, in collaboration with Motema Music label. It features both his new working bands: The first is ZuperOctave (feat. Aaron Parks on piano and keys and Kush Abadey on drums). This bass-less band is exploring electronics with the goal of still keeping the music organic and flexible. The other is the gHex Trio (feat. Rick Rosato on bass & Jonathan Pinson on drums), continuing the classic guitar trio sound that Gilad has become known for, but also bringing something fresh to the music. Gilad has played all major jazz clubs in New York City including the Blue Note, The Jazz Standard, Dizzy’s Club and Smalls. He is constantly touring world-wide and has played most noteworthy jazz festivals including Montreux (Sui), North Sea (Ned), Montreal (Can) & San Francisco (USA). In 2017, Gilad was placed 1st in the Rising Star category of Downbeat Magazine. That same year, he won the 7 VIrtual Jazz Club international competition 2017. Gilad is also the winner of the 2005 Gibson Montreux International Guitar Competition, which led to a sting of performances including playing an opening set with his trio for guitar legend Paco de Lucia at the Montreux Jazz Festival in 2006. In 2018 Gilad was asked by guitar legend Pat Metheny to perform at his NEA Award ceremony at Kennedy Center, alongside some of Metheny’s favorite young guitar players. In 2006 Gilad released his debut album SplitLife (Smalls Records) recorded with bassist Joe Martin and drummer Ari Hoenig. It received rave reviews from the press as did his second album, Words Unspoken (LateSet Records), recorded and released in 2008 with Joe Martin, drummer Marcus Gilmore and tenor saxophonist Joel Frahm. In 2009, Gilad recorded three tracks for Walt Disney Records, one of which was included in the record Everybody Wants To Be a Cat (2011). The album features versions to Disney songs played by a top-shelf lineup of musicians including Dave Brubeck, Joshua Redman, Esperanza Spalding, Diane Reeves, Roy Hargrove, Kurt Rosenwinkel, The Bad Plus and many other jazz legends. In the spring of 2010 Gilad recorded his third album, Hearts Wide Open, with Joe Martin on bass, Marcus Gilmore on drums and world-renowned saxophonist Mark Turner, a project that Gilad defined at the time as his “best recorded work so far”. The record received rave reviews globally and was featured in many Best-of-2011 lists such as New York Times, Amazon and iTunes. Gilad-Hekselman-(c)-Caterina-Di-Perri.jpg In April of 2013, Gilad released his fourth album, This Just In, under the JazzVillage label of Harmonia Mundi. Recorded and engineered in New York by Michael Cisneros Perez, the new album features Gilad Hekselman, Joe Martin, and Marcus Gilmore also showcases Mark Turner on three titles. Gilad’s latest record, Homes, was released in 2015 also on the JazzVillage label. It features his longstanding trio with Joe Martin and Marcus Gilmore, plus 2 tracks with the great Jeff Ballard on drums, including on KeeDee, a track that features both Ballard and Marcus playing together in the studio. Born in Israel in 1983, Gilad studied classical piano from age 6 and began studying guitar at the age of 9. From age 12 to 14 he performed regularly with the band of a weekly children’s television show. He attended the prestigious Thelma Yellin School of Arts, graduating with excellence from the jazz department at age 18. Gilad received the America – Israel Cultural Foundation Scholarship for studies abroad to attend The New School in New York, where he completed his BFA in performing arts in 2008. doors 9 music 9.30
Richie Buckley sax John Moriarty guitar Myles Drennan piano Dave Redmond bass Kevin Brady drums With his unique style and virtuoso technique, Richie Buckley, a self-taught saxophone player, is internationally recognised as one of Ireland’s leading jazz performers. He has been described as “extraordinary” (Irish Times, 2001), “something of a genius… a world reputation amongst saxophonists” (Irish Times, 1999) and a musician whose “playing manages to be simultaneously passionate and gentle, romantic and elegiac.” (Sunday Independent, 2001) Musicians with whom he has collaborated include Van Morrison, Freddie Hubbard, Dave McKenna, Harry Allen, Lew Soloff, Guy Barker, Jiggs Wigham, Bob Dylan, Georgie Fame, Jon Hendricks, Carlos Santana, Barry Manilow, and Elvis Costello. Recording credits include Van Morrison, James Williams, Barry Manilow, Riverdance, Lord of the Dance and Elmer Bernstein. He has also recorded and performed with major Irish artists including The Cranberries, Christy Moore, Sharon Shannon, Sinead O’Connor, Paul Brady and Bill Whelan. His critically acclaimed album ‘Your Love is Here’, featuring his own compositions and guest artists Lew Soloff and the Robin Aspland Trio, was recorded in September 2000. Richie has scored three documentary films – ‘Luke’ (Luke Kelly, directed by Sinead O’Brien), ‘Friel’, ‘Lee Marvin’ (directed by John Boorman) and the film ‘The General’ (directed by John Boorman). Most recently Richie scored the soundtrack to W.C and his track, ‘Just Another Waltz’ has featured in Maurice Linnane’s first feature ‘A Kiss For Jed’. Doors 4.30 Music 5-7 €10
The Next Experiment is the continuation of the CEO Experiment, which have been playing active since January 2015. Previously we have shared the stage with International top acts including Cory Henry duo, Mark Guilliana Quintet, Christian Scott and Tom Rainey. Lately before before Cote Calmet’s (drummer) departure to Spain, we played with the extraordinaire Kurt Rosenwinkel to a full house at the Sugar Club in September 2017. Now with the addition of Barcelona’s star drummer Gonzalo Del Val, we have performed some venues, including Cork Jazz Festival in 2018 with Michael Buckley on Tenor Sax, Arthur’s in December 2018 and Billy Byrnes in 2019 among some other gigs. The music is virtuosic, very energetic and groove oriented, which have allowed us to be offered many important gigs, from Jazz Festivals to opening slots for World famous Jazz acts, as it suits all types of audiences. This time, we have a very special guest also form Barcelona, Saxophonist Giani Gagliardi, who spends most of his time between New York and Barcelona. His debut album, which includes the extraordinaire Gilad Hekselman has been described as “the most impressive debut… Gagliardi is now a rising star in the Brooklyn Jazz scene”. Rochester City Newspaper “Gagliardi is a wonderful player and composer with a unique lyrical voice. Here on his debut album he shines with a first rate band. His playing has a natural, unhurried, organic quality. His solos unfold very naturally and beautifully. Looking forward to hearing more from this significant new player on the NYC jazz scene. “ David Berkman. For this occasion, we will be performing mainly original tunes, which emphasis on South American, Spanish and modern Jazz. Cormac Larkin (Irish Times) ahead of our performance (as a trio) at the Sofa Sessions in Kilkenny wrote: “Don’t miss this opportunity to hear three virtuoso musicians up close and in-the-round from the comfort of our sofas. Forget what you know about Jazz. Next Experiment are taking creative music into new spaces!” Previous reviews (as CEO Experiment) includes Bray Jazz Festival 2017 from Ian Paterson from All about Jazz: “Through focus, perseverance and hard gigging, CEO Experiment has arrived at a fully formed sound and a pretty irresistible one at that. If this stirring BJF gig—a highlight of BJF 2017—was anything to go by, the quartet stands on the brink of even greater successes.” Doors 8.30 Music 9 Entry 10€
A sophisticated musical journey where Blues meets its roots in the traditional Irish music, through surprisingly original compositions and re-elaborated versions of well known pieces.
Antoni O’ Breskey – piano with Special Guests Tony Byrne – guitar Paddy Cummins – banjo, mandolin Consuelo Nerea – vocals, fiddle, bodhran
Born in Italy with Argentine roots, Antoni graduated in piano at Conservatorio Luigi Cherubini of Florence and introduced improvised-style piano into Irish and Flamenco music, blending it with blues and creating a positively new and original jazz piano style described by Harry Long in the ‘The Waltons Guide to Irish Music’ as “unique and superb”.
During the 80’s the Spanish broadcasting ‘Fin de Siglos’ also described him as “The new Keith Jarrett from the Mediterranean”. Fiona Ritchie calls him the Pioneer of World Music and states that he is the composer who gave the “key structures” to the show Riverdance: “He was the first to combine Flamenco, Basque, Arabic, Latin and Irish elements, his virtuoso jazz-styled piano uniting these traditions in remarkably original compositions […] Bill Whelan developed Breschi’s synthesis of Flamenco, jazz and Irish traditional strands as a key structure in his Irish music and dance spectacular, Riverdance.” FIONA RITCHIE, THE NATIONAL PUBLIC RADIO CURIOUS LISTENER’S GUIDE TO CELTIC MUSIC U.S.A.
“A true musical visionary, he brings all eras and cultures together in one musical space.” The Irish Echo, Boston
“One of the most innovative composers in any contemporary medium” Hot Press, Dublin
Doors 9 Music 9.30 Tickets on Eventbrite